Quartet San Francisco Album “A QSF Journey”

Quartet San Francisco album “A QSF Journey” presents a 12-track musical program performed by Quartet San Francisco. It is intended for listeners who select an album by examining its particular repertoire, composers, and arrangement credits. The program brings together works by Cohen, Lipsky, Gershwin-Rouse, and Sollima. These compositions are complemented by arrangements of Chinese, Mongolian, and African folk songs.

The track list provides a clear way to assess the album’s musical direction before purchasing it. Two compositions explicitly include tango in their titles, while the closing portion of the program turns toward three different musical traditions. The album is therefore a suitable choice for listeners who want to compare original compositions and arranged folk melodies within a single collection. The release format is not specified, so buyers are advised to confirm it before purchasing.

Program Structure

The album opens with a sequence dominated by original compositions. Music by additional composers and arranged repertoire appear as the program develops, while its final section focuses on folk melodies drawn from three distinct musical traditions. This progression makes it possible to listen to the complete program in order and follow its changing repertoire, or to select individual pieces according to the authorship and arrangement credits shown in the specifications table.

The complete and exact running order appears in the technical specifications below. The original track titles have been retained, the credited composers are identified, and Cohen’s arrangements are marked separately. This table is the most convenient place to verify a particular track when choosing the album on the basis of its repertoire.

Composers and Arrangements

The program combines pieces by several composers with arrangements of folk melodies associated with three musical traditions. Cohen is credited both as a composer and as an arranger. Lipsky, Gershwin-Rouse, and Sollima broaden the range of credited composers represented on the album. Presenting the credits in this way helps listeners distinguish original compositions from melodies included in arranged form.

Because an independent page specifically documenting this release was not available, the track list and credits in this description are based solely on the information supplied by the store. The release date, record label, catalog number, edition, region, recording format, packaging, and included materials are not specified. No assumptions should be made about these details on the basis of the repertoire alone.

The Folk Music Section

The folk music section is concentrated at the end of the program and moves through Chinese, Mongolian, and African traditions. Every selection in this closing section is identified in the table as a Cohen arrangement. This allows the stated musical origin and the arranger’s credit to be checked together without unnecessarily repeating the full track list throughout the main description.

These origin descriptions identify the melodic traditions stated in the store’s source text. They do not establish the album’s release format, recording date, or specific edition. Buyers who require those details for use with their existing playback equipment or for organizing a collection should contact the seller before placing an order.

Listening Sequence

The published running order begins with original compositions, expands the group of credited creators through its middle portion, and concludes with folk melody arrangements. Listening from beginning to end allows the listener to follow this shift in repertoire. Those interested in particular selections can instead use the technical specifications table, which provides the entire sequence from the first track through the twelfth.

This album description is based on repertoire information and should not be interpreted as confirmation of a physical medium, file type, audio resolution, or packaging style. None of those characteristics is established by the store’s supplied text. If the distinction between a physical and digital release is important to the purchasing decision, the format must be verified before ordering.

Technical Specifications

FAQ

Who is this album for?

It is intended for listeners seeking repertoire performed by Quartet San Francisco. The album may also appeal to those interested in Cohen’s compositions and arrangements of folk melodies.

Is this a collection devoted to one composer?

No. The program credits Cohen, Lipsky, Gershwin-Rouse, and Sollima. Its final three tracks are based on different folk music traditions.

How many works composed by Cohen are included?

Cohen is credited as the composer of six tracks. He is also credited as the arranger on four additional selections.

Does the album include tango pieces?

Yes. The track list includes “Tango Eight” and “Tango Carnevale.” Both works are credited to Cohen.

What distinguishes “Rhapsody in Bluegrass”?

This piece is credited to Gershwin-Rouse, with the arrangement credited to Cohen. It is the only track in the program presented with that particular credit combination.

Which folk melodies are included?

The album includes two Chinese melodies, the Mongolian song “Toroi Bandi,” and the African song “Jambo.” Together, they form the final three tracks of the program.

Is the release format specified?

No. The release format is not stated. Buyers should confirm before purchasing whether the album is offered in a physical or digital format.