NILS LOFGREN – Acoustic Live SACD

38,00 €

NILS LOFGREN – Acoustic Live is an acoustic concert album for listeners who want to hear Nils Lofgren’s solo performance on vocals and guitar. This SACD requires a compatible player for SACD playback. The 1997 concert programme contains 17 tracks, and Ryan Smith remastered this reissue.

Description

NILS LOFGREN – Acoustic Live is an acoustic concert album on SACD for listeners who want to hear Nils Lofgren’s voice and guitar in a live performance. Its 17-track programme includes “You,” “Keith Don’t Go” and “No Mercy.” Ryan Smith remastered this edition.

The concert programme

The concert was recorded on January 18, 1997, at The Barns of Wolf Trap in Vienna, Virginia, USA. Lofgren sings and plays guitar alone. That is the key distinction when choosing this album: it is a solo acoustic performance, rather than a concert by a full band. If the performers matter to your choice, this tells you what kind of programme to expect.

The album includes six new songs, but the track list does not identify them individually. Their titles alone should therefore not be used to decide which six they are. You can review the complete running order below before choosing the disc. It also makes it easy to find where a familiar song appears in the programme.

Disc format and playback

This edition is listed as an SACD. Playing the SACD layer requires a player that supports the format. A standard CD player can read the CD layer of a hybrid SACD, but the available information does not establish that this particular edition has a CD layer. If you plan to use only a CD player, check the markings on the specific copy before buying.

Before listening, check which formats your player supports. If its menu offers a choice of disc layer or playback mode, select the mode you want according to the player’s instructions. Set the volume on your amplifier, receiver or player, if the player has a volume control, and begin at a low level. These controls belong to your equipment; the disc itself has none. If a player fails to recognise the disc, check format compatibility again before drawing a conclusion about the recording from that single attempt.

Placement and system connections

Insert the disc and position the player as its manufacturer instructs. In the listening room, the layout of your playback system matters; the disc’s position in the room does not. If you use speakers, arrange them and your listening position according to your system’s guidance. Moving the speakers does not change the album or establish any particular acoustic characteristic of the recording.

Choose a connection that matches the player’s outputs and the amplifier’s or receiver’s inputs. Connect an analogue output to a suitable analogue input. For a digital connection, consult the player’s instructions to confirm whether the chosen output carries the SACD playback signal and whether the receiving component accepts it. The name of a connection alone cannot confirm this. The information for this edition gives no disc-specific connections or separate output modes, so assess those options using your player’s documentation.

For a stereo system, check how the SACD player connects through the amplifier to your speakers, or through the equipment you use with headphones. In a home cinema system, check that the receiver accepts the player’s selected output. The available information does not say whether the disc contains a multichannel track. If you have several listening systems, check player compatibility in each one. The disc does not control multiple devices, and its format alone does not determine how music reaches other rooms.

Recording and remastering

The concert was recorded digitally at 44.1 kHz and 16-bit resolution. Those figures describe the source recording, not a separate specification for the SACD layer. The SACD format of this reissue does not change the fact that the original concert recording was digital. Nor do the source figures tell you which playback options your player offers.

The album appeared in 1997, and this disc is an Analogue Productions SACD reissue remastered by Ryan Smith. The album’s release year and the concert’s recording date refer to different events. When comparing editions, check the stated label and remastering credit as well as the album title.

Track list

The disc presents the tracks in this order:

  1. You
  2. Sticks and Stone
  3. Some Must Dream
  4. Little On Up
  5. Keith Don’t Go
  6. Wonderland
  7. Big Tears Fall
  8. Believe
  9. Black Books
  10. To Your Heart
  11. Man In The Moon
  12. I’ll Arise
  13. Blue Skies
  14. Tears On Ice
  15. All Out
  16. Mud In Your Eye
  17. No Mercy

Technical specifications

Artist and album Nils Lofgren – Acoustic Live
Release type Acoustic concert album
Disc format SACD
Edition Analogue Productions SACD reissue
Album release year 1997
Recording date January 18, 1997
Recording venue The Barns of Wolf Trap, Vienna, Virginia, USA
Performance Solo vocals and guitar
Original recording format Digital, 44.1 kHz / 16-bit
Remastering Ryan Smith
Number of tracks 17, including six new songs

FAQ

What player do I need for SACD playback?

You need a player that supports SACD. If you have only a standard CD player, check whether the specific disc is marked as a hybrid SACD with a CD layer. The available information does not confirm that it is.

Does a full band play on the album?

No. This is a solo performance by Lofgren on vocals and guitar. If that is the kind of live programme you want, the performing lineup is an important part of your choice.

Is this a studio recording?

No. The album was recorded during a concert at The Barns of Wolf Trap. You can review all 17 tracks before buying to see whether the programme suits you.

Does the SACD format mean the original recording was analogue?

No. The original concert was recorded digitally at 44.1 kHz and 16-bit resolution. SACD describes the disc format of this reissue.

Does it include “Keith Don’t Go” and “No Mercy”?

Yes. “Keith Don’t Go” is the fifth track and “No Mercy” is the seventeenth. “You” opens the programme.