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JL Audio Fathom f112v2-GLOSS active subwoofer
JL Audio Fathom f112v2-GLOSS Active Subwoofer Original price was: 5 500,00 €.Current price is: 4 500,00 €.

JL Audio Gotham g213v2-GLOSS Powered Subwoofer

15 000,00 €

JL Audio Gotham g213v2-GLOSS is a powered subwoofer for reproducing the lowest frequencies in stereo and home cinema systems. Its sealed enclosure and 4500 W RMS short-term power support deep bass reproduction. RCA and balanced XLR inputs let you choose a connection that matches the source. D.A.R.O. calibration, using the included microphone, helps adapt reproduction to the selected room and placement.

Description

JL Audio Gotham g213v2-GLOSS is a powered subwoofer designed to reproduce the lowest frequencies in stereo and home cinema systems. Its sealed enclosure, 4500 W RMS short-term power, and D.A.R.O. calibration support deep bass reproduction and room-specific adjustment.

It accepts mono or stereo signals through RCA and balanced XLR connections. The subwoofer can be connected to a preamplifier, processor, or AV receiver that provides a line-level signal.

Sealed enclosure and placement

The sealed enclosure features non-parallel walls and a gloss-black finish. Because there is no bass-reflex port, you do not need to leave clearance for airflow from a port opening.

Placing the subwoofer near a wall or in a room corner can reinforce the lowest frequencies. Assess the final position from the main listening seat.

RCA, XLR, and multiple-subwoofer connections

Two RCA inputs accept an unbalanced stereo or mono signal. Two female XLR inputs accept a balanced stereo or mono signal. Choose the connection that matches the line-level output available on your source equipment.

There are no speaker-level inputs, so this model cannot be connected to an amplifier’s speaker terminals. Conventional line-level outputs are not provided either.

One male balanced XLR output passes the signal to a slave unit. Dedicated master and slave modes define the roles of the connected units. Input grounding can be set to isolated or grounded. If a ground-loop hum occurs, compare both settings.

Sound and operating controls

The level control can operate at fixed reference gain or in variable mode. Variable mode ranges from complete attenuation to 15 dB above reference gain. The fixed setting is useful when volume is controlled by an external processor.

The low-pass filter is adjustable from 30 to 130 Hz, with a choice of 12 or 24 dB-per-octave slopes. When crossover duties are handled by an AV receiver or processor, the internal filter can be switched off.

Polarity can be switched between 0 and 180 degrees. Phase is continuously adjustable from 0 to 270 degrees. Compare the settings at the listening position and select the combination that produces the smoothest transition to the main speakers.

E.L.F. trim at 20 Hz is adjustable from -12 to +3 dB. Use higher boost settings only after considering the room’s influence. The D.A.R.O. system helps adapt reproduction to the room, and a laboratory-grade calibration microphone is included.

Power can be switched off, left permanently on, or controlled by automatic signal sensing. Illumination can be off, on, or dimmed.

Understanding the frequency range

The stated anechoic frequency response is 19-112 Hz with a ±1.5 dB tolerance. Room walls, corners, and the listening position can change the final in-room result.

The -3 dB limits are 17.5 and 120 Hz, while the -10 dB limits are 14 and 150 Hz. Effective piston area is 0.1386 m², and effective displacement is 12.7 litres.

The 4500 W figure describes short-term RMS power. It should not be interpreted as a continuous power specification.

Technical specifications

Type Powered subwoofer
Enclosure type Sealed, with non-parallel walls
Finish Gloss black
Frequency response 19-112 Hz, ±1.5 dB, measured in an anechoic environment
-3 dB limits 17.5 Hz and 120 Hz
-10 dB limits 14 Hz and 150 Hz
Effective piston area 214.70 sq. in. / 0.1386 m²
Effective displacement 773 cu. in. / 12.7 l
Amplifier power 4500 W RMS, short-term
Power modes Off, on, or automatic signal sensing
Illumination modes Off, on, or dimmed
Unbalanced inputs Stereo or mono, two RCA sockets
Balanced inputs Stereo or mono, two female XLR sockets
Speaker-level inputs None
Input grounding Isolated or grounded
Input modes Master or slave
Level control Fixed reference or variable, from complete attenuation to +15 dB
Filter type Low-pass filter
Filter slope 12 or 24 dB per octave
Filter frequency range 30-130 Hz
Filter bypass Yes
Polarity 0 or 180 degrees
Phase Continuously adjustable from 0 to 270 degrees
E.L.F. trim -12 to +3 dB at 20 Hz
Line-level outputs None
Slave-unit output One male balanced XLR socket
Calibration D.A.R.O. Digital Automatic Room Optimization
Calibration microphone Laboratory-grade, included
Dimensions 546 mm wide, 867 mm high

FAQ

Can the subwoofer be connected to an amplifier’s speaker outputs?

No. It has no speaker-level inputs. An RCA or XLR line-level output from an amplifier, preamplifier, or processor is required.

When should I use RCA, and when should I use XLR?

Choose the connection that matches your source’s output. XLR carries a balanced signal, while RCA carries an unbalanced signal. Both input types accept mono and stereo signals.

When should the internal filter be switched off?

Switch it off when crossover duties are already being handled by an AV receiver or audio processor. Otherwise, begin with a setting that corresponds to the lower-frequency limit of the main speakers.

How should polarity and phase be adjusted?

First compare both polarity settings from the main listening position. Then use the phase control to find the smoothest transition between the main speakers and the subwoofer.

When should D.A.R.O. calibration be performed?

Run the calibration after choosing the final subwoofer and listening positions. If the subwoofer is moved or the room layout changes, it is worth running the calibration again.

Can the signal be passed to a second unit?

Yes. The male balanced XLR output is intended for a slave unit, while the master and slave modes define each unit’s role in the system.