DAVE BRUBECK TIME OUT – Hybrid SACD
38,00 €
DAVE BRUBECK TIME OUT is a hybrid SACD edition for jazz listeners and collectors of physical albums. In our store’s listening assessment, the Bernie Grundman remaster highlights dynamics, subtle drum details and the spatial placement of the instruments. The seven-track programme includes “Blue Rondo A La Turk” and “Take Five”. The release is completed by the two-arrow stereo cover and a booklet featuring a text by Paul Desmond.
THE DAVE BRUBECK QUARTET – TIME OUT is a hybrid SACD edition of the jazz album recorded in 1959. It is intended for listeners seeking this particular version prepared by Bernie Grundman. The release includes the complete seven-track programme, a reproduction of the stereo-edition cover and an informative booklet.
Who this edition is for
This release is a suitable choice for fans of The Dave Brubeck Quartet and collectors of physical jazz editions. The album is distinguished by rhythmic ideas that move beyond the familiar 3/4 and 4/4 time signatures. This makes it especially appealing to listeners who appreciate rhythm, ensemble interplay and the finer details of the drum performance.
The programme includes Paul Desmond’s “Take Five”. Built around a 5/4 time signature, it appears as the third track. The album opens with “Blue Rondo A La Turk” and concludes with “Pick Up Sticks”, preserving the familiar sequence of the seven compositions.
The Bernie Grundman version
This hybrid SACD uses the Bernie Grundman remaster. That distinction matters to buyers choosing between different editions of the same album. The musical programme remains instantly recognisable, but this edition has its own identity through its audio preparation, cover presentation and accompanying booklet.
In our listening assessment, this version has pronounced dynamics. Its tonal balance is slightly brighter than that of the K2HD edition. We also find that subtle details in the drum performance are easy to notice, while the spatial placement of the instruments is presented clearly.
These characteristics are relevant to listeners who compare editions by how effectively they reveal rhythmic detail. For someone who already owns the K2HD version, this is not simply another copy of the same programme. The edition prepared by Bernie Grundman offers a different tonal and dynamic direction, giving collectors a meaningful reason to consider this particular release.
Cover and booklet
The cover reproduces the original stereo-edition artwork featuring two arrows. This is a specific visual detail that helps distinguish the release from other editions of “Time Out”. For collectors, the musical content is only part of the appeal; the presentation of the chosen physical edition also matters.
The included booklet contains a text by Paul Desmond. In it, he describes how the idea for the 5/4 time signature used in the composition originated. The booklet therefore provides useful additional context for one of the album’s most important rhythmic concepts, rather than serving only as a decorative insert.
A seven-track programme
The album sequence comprises seven compositions. It brings together music by Dave Brubeck and Paul Desmond, along with ideas based on different time signatures. The carefully ordered programme allows the album to be heard as a complete work recorded in 1959.
Track order is important for buyers looking for this specific programme. “Strange Meadow Lark” appears second, followed by “Take Five”, while “Three To Get Ready” is the fourth track. “Kathy’s Waltz” and “Everybody’s Jumpin’” follow before the closing “Pick Up Sticks”.
Playback and choosing an edition
The hybrid SACD format is a defining feature of this release. Playback of the SACD recording requires a player that supports the SACD disc format. This edition is therefore worth choosing if you already have SACD playback capability or plan to use a compatible player.
When comparing different editions of “Time Out”, it is practical to consider the playback equipment you own and whether this is the specific physical presentation you want for your collection. The mastering, recognisable stereo cover and booklet all help identify the edition, but SACD compatibility remains an essential practical consideration.
Technical specifications
| Artist | The Dave Brubeck Quartet |
|---|---|
| Album | Time Out |
| Product type | Hybrid SACD |
| Album recording year | 1959 |
| Audio preparation | Bernie Grundman remaster |
| Number of tracks | 7 |
| Track listing | 1. Blue Rondo A La Turk 2. Strange Meadow Lark 3. Take Five 4. Three To Get Ready 5. Kathy’s Waltz 6. Everybody’s Jumpin’ 7. Pick Up Sticks |
| Cover artwork | Original stereo-edition artwork featuring two arrows |
| Booklet | Text by Paul Desmond about the origin of the 5/4 time-signature idea |
| Package contents | Hybrid SACD and booklet |
FAQ
How does this version differ from other editions of the album?
It is defined by the audio prepared by Bernie Grundman, the stereo cover featuring two arrows and the Paul Desmond text included in the booklet. These are the main distinguishing features to consider when selecting this particular physical edition of the album.
What kind of player is required for SACD playback?
To play the SACD recording, you need a player that supports the SACD format. A device being described simply as a “CD player” is not enough to establish that it can play SACD recordings.
Is this edition suitable for someone discovering the album for the first time?
Yes. It contains the complete stated seven-track programme. The accompanying booklet also explains the origin of one of the album’s most important rhythmic ideas, offering useful context for a first-time listener.
Who will find the comparison with the K2HD version useful?
The comparison is useful for listeners who already own another edition of the album. The more dynamic character, slightly brighter balance and clearer presentation of subtle drum details reflect our store’s subjective listening impressions.
What additional value does the booklet provide?
The booklet helps the listener better understand the album’s rhythmic language. Paul Desmond’s text discusses how the idea for the 5/4 time signature used in the composition came about.
Is the cover important for identifying this version?
Yes. This edition uses the original stereo-edition artwork featuring two arrows. It is an easily recognisable visual feature that helps distinguish this release from other versions of “Time Out”.
Why does SACD-layer playback matter?
A player supporting the format is required to reproduce the SACD layer. Before purchasing, it is worth checking the specifications of your particular player for SACD support, because the general description “CD player” does not confirm this capability.
